Keith Urban and P!nk’s collaboration on “One Too Many” is a match made in musical heaven, and it’s surprising it took them this long to team up. Both artists brought their A-game to this duet—Keith with his flawless guitar skills and P!nk with her powerful, distinctive voice. Their harmonies blend seamlessly, creating a perfect balance of country and rock energy. P!nk has had some incredible collaborations with country artists in the past, and this song adds another impressive entry to her repertoire.

Byngoc quynhlt

Jan 2, 2025

Who would have predicted that Aussie country artist (and The Voice Mega Mentor!) Keith Urban would sound so right singing alongside pop-punk belter, Pink? But their voices blended perfectly on “One Too Many,” their duet from Urban’s 2020 album, The Speed Of Now pt. 1.

The pair performed the song on The Voice for the 2020 live finale after premiering via a prerecorded video at the 55th annual Academy of Country Music awards, in a “two room duet” (COVID pandemic-safe!) ou can check out below.

About “One Too Many” by Keith Urban and Pink

The song is about a couple trying to reconcile after distancing themselves with silence and booze. Urban chose Pink as his collaborator because, as he told music publications, “Her artistry and her multi-faceted ability to create, and her God-given talent, truly makes her one of the greatest voices of our time.”

WATCH FULL VIDEO BELOW 👇

A 17-year-old girl stepped onto the stage, her heart pounding, the weight of a Beatles classic resting on her shoulders. Then, she sang—and the world seemed to stop. Every note wasn’t just sung; it was felt, raw and alive, as if she had reached back in time and pulled the very soul of the song into the present. Her voice carried something rare, something electric, filling the room with a kind of magic that couldn’t be faked. The coaches, known for their sharp critiques and unshakable composure, sat frozen, their words stolen by the sheer power of her performance. When the final note faded, the silence was deafening—until, all at once, the room erupted.
The lights hit, the beat dropped, and five tiny powerhouses stormed the AGT stage like they owned it. GForce—just 10 to 12 years old—locked eyes with Simon Cowell and unleashed “Simon Says,” an attitude-packed original that dripped with sass and fire. Every lyric was a challenge, every move radiated confidence, and the entire room felt the heat. The judges braced themselves. The crowd roared. And Simon? For once, the man who had judged them all was the one being judged. His eyebrows shot up, his smirk faltered—shock written all over his face. These girls weren’t here to impress him. They were here to own him. And they did.
A child drops a coin into a street musician’s case, an innocent gesture that sets off something unforgettable. At first, it’s just a single note, then another—until the air itself seems to vibrate with something bigger. One by one, musicians emerge from the crowd, instruments in hand, until the street transforms into a stage for one of the most breathtaking flash mobs ever created. The music swells, sweeping through the crowd like a wave, washing away the noise of the world. And every time I watch it, I break. The tears come, not from sadness, but from something deeper—a reminder of what it means to feel, to belong, to be human.

Leave a Reply

Your email address will not be published. Required fields are marked *