Flash News Wave

Kelly Clarkson took a daring leap at the DTE Energy Music Theatre, stepping out of her comfort zone to tackle Eminem’s iconic Lose Yourself.

Kelly Clarkson took on a bold fan request on August 10, 2012, in Clarkston, MI, covering Eminem’s “Lose Yourself” during her concert at the DTE Energy Music Theatre. Clarkson prefaced her performance by acknowledging the challenge of rapping live, calling it a “brave” choice and even joking with the audience, saying she hoped they’d still come to future shows if she didn’t do the song justice. With a lighthearted twist, she borrowed a gray hoodie to set the mood, playfully quipping about going from “Texas to thug” as she stepped into character for Eminem’s gritty anthem.

Kelly Clarkson - Lose Yourself (Eminem Cover) - Detroit, MI 8/10/12

As Clarkson performed the intense and lyrically intricate track, she retained her unique style, bringing her powerful voice and a sing-song twist to the lyrics while respecting the song’s original energy. Known for including fan-requested covers throughout her tour, Clarkson had already impressed audiences with diverse covers ranging from Shania Twain to Madonna. However, her cover of “Lose Yourself” was particularly memorable, showcasing her versatility as an artist willing to step outside her comfort zone and experiment with different genres.

The audience’s reaction was overwhelmingly positive, appreciating Clarkson’s effort to honor one of Michigan’s most iconic artists, especially at a venue so close to Detroit, Eminem’s hometown. The performance underscored Clarkson’s playful, fearless approach to her live shows, further endearing her to fans as an artist who genuinely enjoys connecting with her audience through unexpected song choices.

Related Post

7 minutes that rewrote rock & roll history — In 1995, at the Rock Hall Concert before 65,000 breathless fans, a single song turned into a time machine… and three decades later, its power still echoes like gospel. Chuck Berry was 69. His duck walk defied gravity, time, and biology — a move not just iconic, but godly. Behind him, Bruce Springsteen grinned like a boy living a dream too vivid to be real. No script, no cue — just that opening riff, roaring like a prophecy fulfilled. You could see it in Bruce’s eyes: he was waiting to be woken up by an alarm clock. Because standing behind Chuck Berry, guitar in hand, wasn’t just a gig — it was a spiritual awakening. And Chuck? He didn’t sing that night. He testified. And the E Street Band followed like disciples, caught in the storm of something eternal
Bruce proved once again yesterday that he’s worth every cent of the ticket price. There’s no one who can compare to him. A man with clear messages in a confusing world. There was a truly fantastic atmosphere yesterday, because the audience, for the most part, really got into it. And just when the lights dimmed and the crowd thought they’d seen it all—Bruce leaned into the mic and whispered something no one expected. A hush fell. Then, like thunder cracking open the Berlin sky, Born to Run roared back to life for a final chorus that wasn’t on the setlist. Was it spontaneous? Was it planned? One look at Clarence Clemons’ empty spot, and older fans wept quietly—because for a second, it felt like the Big Man was there again. What happened in those last 30 seconds… still has fans arguing online
“From foxholes to fame?” — Trey Yingst’s high-risk rise from battlefield chaos to Fox News stardom leaves viewers questioning what’s real and what’s rehearsed. He once reported with dust in his lungs and rockets overhead — now, he commands millions with a single post. But is this the story of a brave truth-teller… or a masterclass in turning war into brand? Between the silence after each siren and the perfect camera angle, some wonder: has the frontline reporter become the headline himself?